DescrisionFlammarionWoodcut.jpg	English: The Flammarion engraving is a wood engraving by an unknown artist that first appeared in Camille Flammarion's L'atmosphère: météorologie populaire (1888). The image depicts a man crawling under the edge of the sky, depicted as if it were a solid hemisphere, to look at the mysterious Empyrean beyond. The caption translates to "A medieval missionary tells that he has found the point where heaven and Earth meet..."
Data	1888
Provenjiensa	Camille Flammarion, L'Atmosphere: Météorologie Populaire (Paris, 1888), pp. 163
Autore	AnonimoUnknown author
Liçensa (Ridoparar sto file)	Sta qua la xe la fedele riprodussion fotografica de na opera d'arte bidimensional original. L'opera d'arte ritrata la xe 'ntel publico dominio par el seguente motivo: Public domainPublic domainfalsefalse Quest'opera è nel pubblico dominio anche in tutti i Paesi e nelle aree in cui la durata del copyright è la vita dell'autore più 100 anni o meno. Devi inserire anche un tag per il pubblico dominio relativo agli Stati Uniti per indicare perché quest'opera è nel pubblico dominio negli Stati Uniti. Questo file è stato identificato come libero da restrizioni conosciute riguardanti le leggi sul copyright, compresi tutti i diritti connessi e vicini. https://creativecommons.org/publicdomain/mark/1.0/PDMCreative Commons Public Domain Mark 1.0falsefalse La posission uficial tolta da la Wikimedia Foundation xe che le riprodussion de opere d'arte bidimensionài 'ntel publico dominio le sipia anca lore 'ntel pubblico dominio, e chi dise el contrario el rapresenta un assalto al vero concèto de publico dominio ("faithful reproductions of two-dimensional public domain works of art are public domain, and that claims to the contrary represent an assault on the very concept of a public domain"). Par verghe piassè informassion, varda Commons:When to use the PD-Art tag. Sta riprodussion fotografica la xe de conseguensa da considerarse 'ntel publico dominio. Par piaser, stà tento che a seconda de leggi locali, ridoparar sto contenuto podarìa èssar proibìo o limità in te la to giurisdission. Varda Commons:Reuse of PD-Art photographs.
Altre version	Other scan, without the original caption Cropped and cleaned version Recoloured (1998) Recoloured (2015) With transparency

Camille Flammarion, L'Atmosphere: Météorologie Populaire (Paris, 1888), p. 163.

The Flammarion Woodcut is an enigmatic woodcut by an unknown artist. It is referred to as the Flammarion Woodcut because its first documented appearance is in page 163 of Camille Flammarion's L'atmosphère: météorologie populaire (Paris, 1888), a work on meteorology for a general audience. The woodcut depicts a man peering through the Earth's atmosphere as if it were a curtain to look at the inner workings of the universe.

The original caption bellow the picture translated to: "A medieval missionary (Bruno) tells that he has found the point where heaven and Earth meet...".

"During the 19th century, the Romantic conception of a European "Dark Age" gave much more prominence to the Flat Earth model than it ever possessed historically. The widely circulated woodcut of a man poking his head through the firmament of a flat Earth to view the mechanics of the spheres, executed in the style of the 16th century cannot be traced to an earlier source than Camille Flammarion's L'Atmosphere: Météorologie Populaire (Paris, 1888, p. 163) [1]. The woodcut illustrates the statement in the text that a medieval missionary claimed that "he reached the horizon where the earth and the heavens met", an anecdote that may be traced back to Voltaire, but not to any known medieval source. In its original form, the woodcut included a decorative border that places it in the 19th century; in later publications, some claiming that the woodcut did, in fact, date to the 16th century, the border was removed. Flammarion, according to anecdotal evidence, had commissioned the woodcut himself. In any case, no source of the image earlier than Flammarion's book is known. (quote from Flat Earth)